News

2020

Well, 2020 was a year.

Hello dear visitor, Jennifer here. Thank you for visiting my website! You may be wondering, “Jennifer hasn’t updated her website since May 2, 2019, what happened? Is she okay? Has she quit the business? Did the business quit her?” And to respond I will say, “Yes, I’m okay - no, I haven’t quit - and no it didn’t quit me.”

Twenty Twenty was a profoundly affecting year for every person on the planet. I was extremely lucky to stay safe, housed, and even partially employed, though not in the performing arts until late 2020. I threw myself into keeping the cafe I assistant manage alive and open through the pandemic, but also found artistic solace in producing a few paintings and drawings for friends, family, and even some new acquaintances.

In the fall of 2020, I reentered the performing arts arena, and was delighted to work with Harlequin Productions on their radio play production of Dracula, directed by Corey D. McDaniel, from the Orson Welles adaptation.

In spring of 2021, I joined Theatre22’s cast of their radio play adaption of E.M. Forster’s short story, The Celestial Omnibus, directed and adapted by Julie Beckman.

Theatre22 retained my painting services to create original artwork for their Season 7 poster art, and I reentered in-person theater work by painting their set and scenic elements for their outdoor summer production of Alice in Wonderland. ArtsWest then took me on as Scenic Charge for their 2021 production of We’ve Battled Monsters Before with book, music, and lyrics by Justin Huertas.

Thanks for keeping in touch, more news to come soon.

All the best, Jennifer

Gallery Show at Salon Amfora

Jennifer is the featured artist for the spring quarter at Salon Amfora in Seattle, WA. Her work is on display March 3 through early June 2019. Inquiries about pricing can be made either to Salon Amfora by phone, (206) 743-8498, or in person at 1318 North 45th Street in Seattle, Washington or through Jennifer’s Contact page.

Artist’s Statement:

Every landscape I create is a journey. It is a technical journey: from blank paper to a completed work and all that goes in between. It is a journey in skill: with every drawing I learn to look deeper, be braver. It is also the journey within the image: exploring the world opens my mind, engages my imagination, and excites my desire to create. Art is my way to express that journey and share the world that I see and feel. In this collection are my journeys to the Llangollen Canal in Wales, the highlands of Scotland, the waters of Puget Sound and Salish Sea, gardens of Langley, London, and Wrexham.


Thank you for journeying here today. 

Scenic Painting at Seattle Public Theatre

Jennifer assisted on the scenic painting for Fire Season, directed by Kelly Kitchens at Seattle Public Theatre at the end of 2018. Here are a some photographs of the completed set!

Scenic Charge: Stephanie Charas
Photos: Stephanie Charas

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Scenic Art at ArtsWest

Jennifer recently completed a scenic painting project for ArtsWest’s production of Jane Eyre: The Musical. Jennifer was the lead painter of the landscape mural backdrop and also assisted with the texturing of the grass, sand pathway, deck, and rock-facing.

Photos courtesy of John McLellan and Siri Nelson. Set Design by Lex Marcos.


Dramaturg for Book-It Repertory's Jane Eyre

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Jennifer also worked as the Dramaturg for Book-It Repertory’s adaptation of the Victorian classic, Jane Eyre this summer. Jane kicked off the 2018/2019 Season, adapted and directed by Julie Beckman.

What is a Dramaturg?

Dramaturgy is defined as the art or technique of dramatic composition and theatrical representation, and a dramaturg or -turge is a specialist. In other terms, a Dramaturg works as an historian and compiles contextual information about the source material (in this case, the novel Jane Eyre) and its author, the time period, locations, and other relevant information to provide historical context and accuracy to the director and actors to deepen the understanding and richness of the world of the play.

In addition to compiling research packets for the actors and creative team, Jennifer wrote essays published in the show program, and created interactive content for the theatre lobby display.

Read a snippet of Jennifer’s work shared on Book-It’s Blog here:

 

Lobby content includes a timeline of Charlotte Brontë’s life, early stage productions of Jane Eyre dating back to the mid 19th century, information on Brontë’s decision to publish under her male pseudonym, Currer Bell, a matching game with other famous female writers and their pseudonyms, and information on the real-life inspirations for the locations in the novel, all written and compiled by Jennifer Ewing.

Photo: Jennifer Ewing